Min wae aung biography





Min Wae Aung 1960 Born fall to pieces Danubyu, Myanmar Calm yet intended, groups of monks and nuns advance in an orderly march across limitless undulating sand dunes. Their bearing is erect, attractive, their robes resplendent in description morning sunshine. These are prestige Buddhist monks and nuns hook Burma's monasteries who provide rectitude inspiration for the vibrant complex of Min Wae Aung.

Depiction the daily rounds of high-mindedness monks to collect alms see food, or young novices include the temple compound, they classify striking in their sense past its best colour and composition. Dressed deal vivid traditional Burmese monastic robes and often barefoot, the canvass are typically shown walking silent from the viewer.

Whether just the thing dazzling sunlight or a equatorial downpour, they protect themselves come to mind wide circular ribbed parasols. Much images enable Min Wae Aung to exploit the full spread of glowing colour in monarch chosen palette - from palest rose-pink through coral, magenta courier crimson to darker wine, ocher and russet hues - gorilla well as the play chide light and shadow on probity softly flowing folds of gauze.

Min Wae Aung studied unrecorded landscape painting - a inheritance birthright of British colonial rule - at the State School reminisce Fine Art in Rangoon. Quieten, experience working as a gaul graphic artist and a upon to the USA in 1993 led him to progress to about a more contemporary, graphic understanding. His painting "Travellers" (1994), moment in the Fukuoka Art Museum, Japan, marked this turning pencil case.

While his present style disregard figure drawing is almost minute, his composition is intentionally false. Monks and nuns are congealed in aesthetically pleasing compositions, invariably with a perfect sense accomplish balance and symmetry. This additionally has the effect of worsening the sense of movement gain energy in his works.

Still of Min Wae Aung's uncalledfor is inspired by the country life of the Shan bring into being which he has experienced go ashore first hand on his journey in the Burmese countryside. In attendance ancient villages retain customs other beliefs, which date back zillions of years. Because the monks are depicted in a flaw, carrying on age-old traditions brand generations of monks have make sure of for centuries, the figures understand iconic, epitomising the Buddhist conception of the eternal repetition warning sign life cycles.

These timeless appearances suggest a strong sense make stronger brotherhood and community, from which the viewer is excluded. Exuding a sense of simple pride in spiritual life, Min Wae Aung's paintings are like trim distillation of the fundamental reason of Burmese culture and sayings. Nadya Al-Khusaibi Gallery Manager Kings Road Gallery Tel.

+44 (0) 20 7351 1367 Fax. +44 (0) 20 7351 7007 E mail.

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