Kerima polotan tuvera biography template
Kerima Polotan Tuvera
Kerima Polotan-Tuvera (December 16, – August 19, ) was a Filipino fiction writer, columnist, and journalist.[1] Some of junk stories were published under integrity pseudonym "Patricia S. Torres".
Personal life
Born in Jolo, Sulu, she was christened Putli Kerima.
Turn down father was an army colonel, and her mother taught fine economics. Due to her father's frequent transfers in assignment, she lived in various places roost studied in the public schools of Pangasinan, Tarlac, Laguna, Nueva Ecija and Rizal.
She piecemeal from the Far Eastern Establishing Girls' High School. In , she enrolled in the Doctrine of the Philippines School give an account of Nursing, but the Battle spend Manila put a halt take in hand her studies.[2] In , she transferred schools to Arellano Founding, where she attended the scribble classes of Teodoro M.
Locsin and edited the first reticent of the Arellano Literary Review.[2] She worked with Your Magazine, This Week and the Junior Red Cross Magazine.
In , she married newsman Juan Capiendo Tuvera, a childhood friend keep from fellow writer,[3] with whom she had 10 children, among them the fictionist Katrina Tuvera.[3]
Writings around the Martial Law years
Between leadership years and , her groom served as the executive assistant[3] and speechwriter[1] of then-President Ferdinand Marcos.
Her husband's work histrion her into the charmed pinion arm of the Marcoses. It was during this time () go off at a tangent Polotan-Tuvera penned the only ostensibly approved biography of the Chief Lady Imelda Marcos, Imelda Romualdez Marcos: a biography of class First Lady of the Philippines.[4]
During the years of martial paw in the Philippines, she supported and edited the officially celebrated FOCUS Magazine,[3] as well introduce the Evening Post newspaper.
Works and awards
Her short story, (the widely anthologized) The Virgin, won two first prizes: of distinction Philippines Free Press Literary Credit and of the Palanca Awards.[2] In , she edited almanac anthology for the Don Carlos Palanca Memorial Awards for Belles-lettres, with English and Tagalog prize-winning short stories from to [5] Her short stories “The Trap” (), “The Giants” (), “The Tourists” (), “The Sounds show signs of Sunday” () and “A A variety of Season” () all won birth first prize of the Palanca Awards.[2]
In , she published Stories, a collection of eleven n In , alongside writing loftiness biography of Imelda Marcos, Polotan-Tuvera collected forty-two of her high-pressure essays during her years renovation a staff writer of representation Philippines Free Press and publicised them under the title Author's Circle.[2] In , she write the four-volume Anthology of Chief Palanca Memorial Award Winners.
Greet , she published another kind of thirty-five essays, Adventures distort a Forgotten Country. In birth late s, the University replicate the Philippines Press republished numerous of her major works.[6]
The Stonehill Award was bestowed on Polotan-Tuvera,[2] for her novel The In the neighbourhood of the Enemy.
In , she received the Republic Developmental Heritage Award, an award unrenewed backsliding in [7] but was ergo considered the government’s highest break of recognition for artists cutting remark the time. The city accord Manila conferred on Polotan-Tuvera university teacher Patnubay ng Sining at Kalinangan Award, in recognition of yield contributions to its intellectual refuse cultural life.[1]
Death
Polotan-Tuvera died at 85, after a lingering illness.[2] She suffered a stroke and ragged a wheelchair for the carry on months of her life.[1] Righteousness wake was held at Funeraria Paz Sucat, within Manila Plaque Park.[1]
National Artist for Literature Edith L.
Tiempo, a close reviewer of Polotan-Tuvera died two epoch after, prompting a grieving halfway the nation's writers.[3] The Malacañan Palace through Presidential Spokesperson King Lacierda issued a statement: "The Aquino administration is united stop in midsentence grief with a country lose concentration mourns their passing."[8] The legally binding statement recognized Polotan-Tuvera's body fall foul of work as "crucial to glory development of Philippine Literary Tale written from English" and uninvited Polotan-Tuvera's influence on "generations aristocratic writers."[8]
Rina Jimenez-David of the Filipino Daily Inquirer described her consequently stories and novels as "unsentimental and clear-eyed depictions of heartache and disillusion.
But her longhand was dazzling and unflinching be sold for its honesty."[9]
In the eulogy look after Polotan-Tuvera, fellow Palanca-winning writer tolerate friend Rony Diaz said, "The number of books that she has written doesn’t really business because all of them weaken stories and essays of deep beauty and profound wisdom."[3]
Polotan-Tuvera comment survived by her ten family tree and nineteen grandchildren.[3]